考试吧推荐：2015考研冲刺计划5折套餐 挺你进复试

　　考研英语的英译汉与四六级的翻译有很多不同之处，很多考生因为没能掌握这些不同而导致这部分总拿不到高分，下面老师就英译汉这部分的内容做一概述。

　　难点

　　1.需要联系上下文来理解词义

　　考研英语的英译汉是给你一篇文章，然后从中划出5个句子，因此就必须把词句的含义放到原文中来理解，切不可断章取义，有的词语翻译出来的意思与其本意可能会有不同，这正是英译汉要考察的要点之一。

　　2.多为长难句

　　英译汉句子平均的单词量在30个左右，而且结构复杂，修饰成分多，考生很容易因没有理清句子结构而造成翻译得南辕北辙的现象。

　　建议

　　首先要拥有一定的单词量，背单词不能只知道其常用的意思，还应知道其作为其它属性或者完全与本意看似不相关的其他含义，这样才能在联系上下文翻译的时候对单词的含义做到触类旁通;其次，要有对长难句的“免疫”能力，可以在做阅读题的时候，把典型的复杂长难句记下来，试着划分句子结构，做到熟能生巧。最后，平时可以多看一些英文文章，培养一下语感，有助于对句子含义的整体把握。

　　真题解析

　　Directions: Read the following text carefully and then translate the underlined segments into Chinese. Your translation should be written on the ANSWER SHEET(10 points)(2014年考研英语真题Part C)

　　Music means different things to different people and sometimes even different things to the same person at different moments of his life. It might be poetic, philosophical, sensual, or mathematical, but in any case it must, in my view, have something to do with the soul of the human being. Hence it is metaphysical; but the means of expression is purely and exclusively physical: sound. I believe it is precisely this permanent coexistence of metaphysical message through physical means that is the strength of music.(46)It is also the reason why when we try to describe music with words, all we can do is articulate our reactions to it, and not grasp music itself.

　　Beethoven’s importance in music has been principally defined by the revolutionary nature of his compositions. He freed music from hitherto prevailing conventions of harmony and structure. Sometimes I feel in his late works a will to break all signs of continuity. The music is abrupt and seemingly disconnected, as in the last piano sonata. In musical expression, he did not feel restrained by the weight of convention.(47)By all accounts he was a freethinking person, and a courageous one, and I find courage an essential quality for the understanding, let alone the performance, of his works.

　　This courageous attitude in fact becomes a requirement for the performers of Beethoven’s music. His compositions demand the performer to show courage, for example in the use of dynamics.(48)Beethoven’s habit of increasing the volume with an extreme intensity and then abruptly following it with a sudden soft passage was only rarely used by composers before him.

　　Beethoven was a deeply political man in the broadest sense of the word. He was not interested in daily politics, but concerned with questions of moral behavior and the larger questions of right and wrong affecting the entire society.(49)Especially significant was his view of freedom, which, for him, was associated with the rights and responsibilities of the individual: he advocated freedom of thought and of personal expression.

　　Beethoven’s music tends to move from chaos to order as if order were an imperative of human existence. For him, order does not result from forgetting or ignoring the disorders that plague our existence; order is a necessary development, an improvement that may lead to the Greek ideal of spiritual elevation. It is not by chance that the Funeral March is not the last movement of the Eroica Symphony, but the second, so that suffering does not have the last word.(50)One could interpret much of the work of Beethoven by saying that suffering is inevitable, but the courage to fight it renders life worth living.

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